The categories and finalists for the National Magazine Awards 2010 are:
General Excellence, PrintRecognizes overall editorial achievement at six circulation levels.
Under 100,000 Circulation ApertureMelissa Harris, Editor-in-ChiefFor Spring, Fall, Winter IssuesAperture's photography—some classic, some provocative and all luxuriously displayed—explores the powerful influence of the medium in our world. ArchitectNed Cramer, Editor-in-ChiefFor March, April, June IssuesWhether presenting guidelines for client service or showcasing innovative designers, Architect is a clean and spirited source book. Military HistoryMichael Robbins, EditorFor February/March, August/September, December 2009/January 2010 IssuesMilitary History never glories in war but offers a passionate understanding of man in eternal conflict. The Paris ReviewPhilip Gourevitch, EditorFor Summer, Fall, Winter IssuesEntertaining, illuminating, moving and thought-provoking, The Paris Review introduces the best work of newcomers and the newest work of masters. San FranciscoBruce Kelley, Editor-in-ChiefFor April, August, December IssuesAnchored by serious reporting and discriminating service, San Francisco offers smart and service wrapped in high style for a sophisticated audience. 100,000 to 250,000 Circulation Foreign PolicyMoisés Naím, Editor-in-ChiefFor May/June, July/August, September/October IssuesSmart, relevant and eager to challenge conventional wisdom, Foreign Policy brings a refreshing sensibility to the understanding of global politics and economics. Garden & GunSid Evans, Editor-in-ChiefFor February/March, August/September, December 2009/January 2010 IssuesGarden & Gun's irresistible features and elegant design introduce you to a Southern lifestyle that is more seductive than you may have ever imagined. Martha Stewart WeddingsDarcy Miller, Editorial Director; Vanessa Holden, Editor-in-ChiefFor Spring, Summer, Fall IssuesEqual parts beauty and innovation, Martha Stewart Weddings is the platinum choice for brides looking to be both inspired and informed. Mother JonesMonika Bauerlein and Clara Jeffery, EditorsFor July/August, September/October, November/December IssuesTough and tenacious, Mother Jones remains grounded in world-class political and investigative journalism, enhanced by clever illustrations and gritty photography. PasteJosh Jackson, Editor-in-ChiefFor February, March/April, July IssuesEvery month Paste publishes an array of passionate opinion and reporting on out-of-the-way artists that you won't find in every—or any—other magazine. 250,000 to 500,000 Circulation The AtlanticJames Bennet, EditorFor March, June, December IssuesThe Atlantic delivers original thinking on political developments, scientific breakthroughs and culture both high and low. AudubonDavid Seideman, Editor-in-ChiefFor March/April, October, November/December IssuesAudubon may document threats to biodiversity, but what readers carry away is a sense of the rewards, not burdens, of stewardship. New YorkAdam Moss, Editor-in-ChiefFor April 20, October 5, October 26 IssuesConfronting a city transformed by financial crisis, New York responded with journalism of depth, quality and innovation. Texas MonthlyEvan Smith, President and Editor-in-Chief; Jake Silverstein, EditorFor September IssueEntertaining and evocative, Texas Monthly remains faithful to its original audience while reaching out to new readers with new ideas about Texas.Jake Silverstein, EditorFor November, December Issues WPatrick McCarthy, Chairman and Editorial DirectorFor February, March, September IssuesWith its giant pages, innovative photography and incisive reporting, W offers an often ironic alternative to mainstream fashion titles. 500,000 to 1 Million Circulation The EconomistJohn Micklethwait, Editor-in-ChiefFor June 27, December 5, December 19 IssuesIn today's time-challenged, tweet-and-run global society, The Economist is a one-stop guide to getting smarter about the world. EsquireDavid Granger , Editor-in-ChiefFor March, May, September IssuesEnterprising reporting, daring writing and plenty of attitude combine in every issue of Esquire to startle the reader in the best possible way. Food Network MagazineMaile Carpenter, Editor-in-ChiefFor October, November, December IssuesFood Network Magazine not only expertly translates the spirit of a television network to a medium in two dimensions but perfectly reflects what a big hunk of America wants from a food magazine now. GQJim Nelson, Editor-in-ChiefFor June, September, November IssuesElegant and funny, serious and playful, GQ moves effortlessly from bite-size service to wide-ranging reportage. WiredChris Anderson, Editor-in-ChiefFor May, August, November IssuesThe design dazzles; the ideas are unexpected; the nerd flag flies with confidence. Wired is magazine science at its most advanced. 1 million to 2 Million Circulation Field & StreamAnthony Licata, EditorFor June, October, December 2009/January 2010 IssuesField & Stream delivers an outsize portion of practical information while extolling the outdoor experience through vivid, first-hand stories of those who live it. Men’s HealthDavid Zinczenko, Editor-in-ChiefFor September, October, December IssuesGet to know Men's Health and you'll find out there's a lot more to the magazine than six-pack abs and a raffish stubble. MoreLesley Jane Seymour, Editor-in-ChiefFor September, October, November IssuesThe champion of women over 40, More celebrates its role with attitude, smarts and not a little midlife reinvention. The New YorkerDavid Remnick, EditorFor June 1, September 7, October 26 IssuesWith its unyielding dedication to well-crafted, long-form journalism, The New Yorker as always produced some of the most important and memorable work of the year. Teen VogueAmy Astley, Editor-in-ChiefFor August, September, October IssuesWith an upbeat sophistication that still manages to smell like teen spirit, Teen Vogue informs and delights on all things cultural and fashionable. Over 2 Million Circulation ESPN The MagazineGary Belsky, Editor-in-ChiefFor March 23, October 19, December 14 IssuesESPN The Magazine finds compelling stories at the edge—from the pregnancy of a famous basketball player to a stunning photo-play of athletic bodies battered and misshapen, but beautiful nevertheless. National GeographicChris Johns, Editor-in-ChiefFor May, September, December IssuesA century old with a 2010 mastery of graphic innovation, National Geographic delivers visual and literary surprises that instruct the mind and astonish the senses. Real SimpleKristin van Ogtrop, Managing EditorFor October, November, December IssuesFrom navigating the frozen-food aisle to probing the meaning of memory, Real Simple is a streamlined and serene guide to problem solving on every level. Sports IllustratedTerry McDonell, EditorFor February 16, May 18, December 7 IssuesFrom news-breaking reports on steroid use in baseball to the image of a diver caught at mid-turn, SI continues to match elegantly flowing words with adrenalin-pushing images. TimeRichard Stengel, Managing EditorFor June 29, August 17, October 5 IssuesRigorous reporting and graphic snap, tempered by commentary that looks to the future—Time stays fresh by asking as many questions as it answers.
Under 100,000 Circulation
ApertureMelissa Harris, Editor-in-ChiefFor Spring, Fall, Winter IssuesAperture's photography—some classic, some provocative and all luxuriously displayed—explores the powerful influence of the medium in our world.
ArchitectNed Cramer, Editor-in-ChiefFor March, April, June IssuesWhether presenting guidelines for client service or showcasing innovative designers, Architect is a clean and spirited source book.
Military HistoryMichael Robbins, EditorFor February/March, August/September, December 2009/January 2010 IssuesMilitary History never glories in war but offers a passionate understanding of man in eternal conflict.
The Paris ReviewPhilip Gourevitch, EditorFor Summer, Fall, Winter IssuesEntertaining, illuminating, moving and thought-provoking, The Paris Review introduces the best work of newcomers and the newest work of masters.
San FranciscoBruce Kelley, Editor-in-ChiefFor April, August, December IssuesAnchored by serious reporting and discriminating service, San Francisco offers smart and service wrapped in high style for a sophisticated audience.
100,000 to 250,000 Circulation
Foreign PolicyMoisés Naím, Editor-in-ChiefFor May/June, July/August, September/October IssuesSmart, relevant and eager to challenge conventional wisdom, Foreign Policy brings a refreshing sensibility to the understanding of global politics and economics.
Garden & GunSid Evans, Editor-in-ChiefFor February/March, August/September, December 2009/January 2010 IssuesGarden & Gun's irresistible features and elegant design introduce you to a Southern lifestyle that is more seductive than you may have ever imagined.
Martha Stewart WeddingsDarcy Miller, Editorial Director; Vanessa Holden, Editor-in-ChiefFor Spring, Summer, Fall IssuesEqual parts beauty and innovation, Martha Stewart Weddings is the platinum choice for brides looking to be both inspired and informed.
Mother JonesMonika Bauerlein and Clara Jeffery, EditorsFor July/August, September/October, November/December IssuesTough and tenacious, Mother Jones remains grounded in world-class political and investigative journalism, enhanced by clever illustrations and gritty photography.
PasteJosh Jackson, Editor-in-ChiefFor February, March/April, July IssuesEvery month Paste publishes an array of passionate opinion and reporting on out-of-the-way artists that you won't find in every—or any—other magazine.
250,000 to 500,000 Circulation
The AtlanticJames Bennet, EditorFor March, June, December IssuesThe Atlantic delivers original thinking on political developments, scientific breakthroughs and culture both high and low.
AudubonDavid Seideman, Editor-in-ChiefFor March/April, October, November/December IssuesAudubon may document threats to biodiversity, but what readers carry away is a sense of the rewards, not burdens, of stewardship.
New YorkAdam Moss, Editor-in-ChiefFor April 20, October 5, October 26 IssuesConfronting a city transformed by financial crisis, New York responded with journalism of depth, quality and innovation.
Texas MonthlyEvan Smith, President and Editor-in-Chief; Jake Silverstein, EditorFor September IssueEntertaining and evocative, Texas Monthly remains faithful to its original audience while reaching out to new readers with new ideas about Texas.Jake Silverstein, EditorFor November, December Issues
WPatrick McCarthy, Chairman and Editorial DirectorFor February, March, September IssuesWith its giant pages, innovative photography and incisive reporting, W offers an often ironic alternative to mainstream fashion titles.
500,000 to 1 Million Circulation
The EconomistJohn Micklethwait, Editor-in-ChiefFor June 27, December 5, December 19 IssuesIn today's time-challenged, tweet-and-run global society, The Economist is a one-stop guide to getting smarter about the world.
EsquireDavid Granger , Editor-in-ChiefFor March, May, September IssuesEnterprising reporting, daring writing and plenty of attitude combine in every issue of Esquire to startle the reader in the best possible way.
Food Network MagazineMaile Carpenter, Editor-in-ChiefFor October, November, December IssuesFood Network Magazine not only expertly translates the spirit of a television network to a medium in two dimensions but perfectly reflects what a big hunk of America wants from a food magazine now.
GQJim Nelson, Editor-in-ChiefFor June, September, November IssuesElegant and funny, serious and playful, GQ moves effortlessly from bite-size service to wide-ranging reportage.
WiredChris Anderson, Editor-in-ChiefFor May, August, November IssuesThe design dazzles; the ideas are unexpected; the nerd flag flies with confidence. Wired is magazine science at its most advanced.
1 million to 2 Million Circulation
Field & StreamAnthony Licata, EditorFor June, October, December 2009/January 2010 IssuesField & Stream delivers an outsize portion of practical information while extolling the outdoor experience through vivid, first-hand stories of those who live it.
Men’s HealthDavid Zinczenko, Editor-in-ChiefFor September, October, December IssuesGet to know Men's Health and you'll find out there's a lot more to the magazine than six-pack abs and a raffish stubble.
MoreLesley Jane Seymour, Editor-in-ChiefFor September, October, November IssuesThe champion of women over 40, More celebrates its role with attitude, smarts and not a little midlife reinvention.
The New YorkerDavid Remnick, EditorFor June 1, September 7, October 26 IssuesWith its unyielding dedication to well-crafted, long-form journalism, The New Yorker as always produced some of the most important and memorable work of the year.
Teen VogueAmy Astley, Editor-in-ChiefFor August, September, October IssuesWith an upbeat sophistication that still manages to smell like teen spirit, Teen Vogue informs and delights on all things cultural and fashionable.
Over 2 Million Circulation
ESPN The MagazineGary Belsky, Editor-in-ChiefFor March 23, October 19, December 14 IssuesESPN The Magazine finds compelling stories at the edge—from the pregnancy of a famous basketball player to a stunning photo-play of athletic bodies battered and misshapen, but beautiful nevertheless.
National GeographicChris Johns, Editor-in-ChiefFor May, September, December IssuesA century old with a 2010 mastery of graphic innovation, National Geographic delivers visual and literary surprises that instruct the mind and astonish the senses.
Real SimpleKristin van Ogtrop, Managing EditorFor October, November, December IssuesFrom navigating the frozen-food aisle to probing the meaning of memory, Real Simple is a streamlined and serene guide to problem solving on every level.
Sports IllustratedTerry McDonell, EditorFor February 16, May 18, December 7 IssuesFrom news-breaking reports on steroid use in baseball to the image of a diver caught at mid-turn, SI continues to match elegantly flowing words with adrenalin-pushing images.
TimeRichard Stengel, Managing EditorFor June 29, August 17, October 5 IssuesRigorous reporting and graphic snap, tempered by commentary that looks to the future—Time stays fresh by asking as many questions as it answers.
Design, PrintHonors the effectiveness of design, typography and artwork in support of the editorial mission of the magazine
EsquireDavid Granger, Editor-in-ChiefFor February, March, September IssuesRaw, sexy style percolates through these pages. Esquire is willing to take risks to satisfy its readers. GQJim Nelson, Editor-in-ChiefFor February, June, July IssuesDazzling readers with its crisp, confident approach, GQ delivers on its promises with typographic sophistication and exuberant color. Martha Stewart LivingMartha Stewart, Founder; Gael Towey, Chief Creative Officer; Eric A. Pike, Editorial and Creative Director; Michael Boodro, Editor-in-ChiefFor February IssueMartha Stewart, Founder; Gael Towey, Chief Creative Officer; Eric A. Pike, Editorial and Creative DirectorFor October, December 2009 IssuesAt Martha Stewart Living, design isn't just applied to words and images—it's whipped up from scratch alongside them. New YorkAdam Moss, Editor-in-ChiefFor March 2, August 24, October 12 IssuesCoherent yet flexible, New York's design is as fast paced and sometimes shocking as everything else about the magazine. WiredChris Anderson, Editor-in-ChiefFor March, May, August IssuesPlayful and imaginative, Wired takes informed risks to liberate the magazine from the constraints of the printed page.
EsquireDavid Granger, Editor-in-ChiefFor February, March, September IssuesRaw, sexy style percolates through these pages. Esquire is willing to take risks to satisfy its readers.
GQJim Nelson, Editor-in-ChiefFor February, June, July IssuesDazzling readers with its crisp, confident approach, GQ delivers on its promises with typographic sophistication and exuberant color.
Martha Stewart LivingMartha Stewart, Founder; Gael Towey, Chief Creative Officer; Eric A. Pike, Editorial and Creative Director; Michael Boodro, Editor-in-ChiefFor February IssueMartha Stewart, Founder; Gael Towey, Chief Creative Officer; Eric A. Pike, Editorial and Creative DirectorFor October, December 2009 IssuesAt Martha Stewart Living, design isn't just applied to words and images—it's whipped up from scratch alongside them.
New YorkAdam Moss, Editor-in-ChiefFor March 2, August 24, October 12 IssuesCoherent yet flexible, New York's design is as fast paced and sometimes shocking as everything else about the magazine.
WiredChris Anderson, Editor-in-ChiefFor March, May, August IssuesPlayful and imaginative, Wired takes informed risks to liberate the magazine from the constraints of the printed page.
Photography, PrintHonors the effectiveness of photography, photojournalism and photo-illustration in support of the editorial mission of the magazine
GQJim Nelson, Editor-in-ChiefFor May, July, December IssuesConsidered and contemporary, GQ speaks in a visual language that is by turns humorous, surprising and smart—without being snarky. National GeographicChris Johns, Editor-in-ChiefFor June, October, December IssuesDynamically composed and fearlessly executed, National Geographic photographs provide definitive documents of our planet—and beyond. The New York Times MagazineGerald Marzorati, EditorFor February 8, January 18, October 18 IssuesFrom celebrity portraits to striking images of Team Obama days after the election, The New York Times Magazine excels in its presentation of print photography. Vanity FairGraydon Carter, EditorFor March, September, November IssuesThe densely orchestrated photographic narratives of Vanity Fair provide readers with an often surprising visual perspective on contemporary culture. VogueAnna Wintour, Editor-in-ChiefFor May, September, December IssuesCovering a wide range of styles, the photography in Vogue applies clarity, verve and imagination to the world of fashion and celebrity.
GQJim Nelson, Editor-in-ChiefFor May, July, December IssuesConsidered and contemporary, GQ speaks in a visual language that is by turns humorous, surprising and smart—without being snarky.
National GeographicChris Johns, Editor-in-ChiefFor June, October, December IssuesDynamically composed and fearlessly executed, National Geographic photographs provide definitive documents of our planet—and beyond.
The New York Times MagazineGerald Marzorati, EditorFor February 8, January 18, October 18 IssuesFrom celebrity portraits to striking images of Team Obama days after the election, The New York Times Magazine excels in its presentation of print photography.
Vanity FairGraydon Carter, EditorFor March, September, November IssuesThe densely orchestrated photographic narratives of Vanity Fair provide readers with an often surprising visual perspective on contemporary culture.
VogueAnna Wintour, Editor-in-ChiefFor May, September, December IssuesCovering a wide range of styles, the photography in Vogue applies clarity, verve and imagination to the world of fashion and celebrity.
PhotojournalismRecognizes the informative photographic documentation of an event or subject
Foreign PolicyMoisés Naím, Editor-in-ChiefFor “The Land of No Smiles,” photographs by Tomas van HoutryveMay/JuneDespite constant surveillance by North Korean minders, Tomas Van Houtryve managed to photograph people and places rarely, if ever, seen by outsiders. National GeographicFor “The Other Tibet,” by Matthew Teague; photographs by Carolyn DrakeDecember"The Other Tibet" captures, with terrible beauty, the Uyghurs, a Muslim people of China's resource-rich far west and their peril of becoming strangers in their own land. National GeographicChris Johns, Editor-in-ChiefFor “Shattered Somalia,” by Robert Draper; photographs by Pascal MaitreMayWith his camera focused on the once grand capital of Mogadishu, Pascal Maitre illustrates just how desperate life in Somalia has become. New YorkAdam Moss, Editor-in-ChiefFor “Rose’s Last Turn,” by Boris Kachka; photographs by Gillian LaubFebruary 2Chronicling one day in the life of Broadway's Patti LuPone, Gillian Laub created a unique combination of photojournalism and celebrity portraiture. Virginia Quarterly ReviewTed Genoways, EditorFor “The Young Mothers of Port-au-Prince,” by Ruxandra Guidi; photographs by Bear GuerraSummerNearly two years before Haiti was devastated by earthquake, Bear Guerra captured the tragedy of those already left adrift there.
Foreign PolicyMoisés Naím, Editor-in-ChiefFor “The Land of No Smiles,” photographs by Tomas van HoutryveMay/JuneDespite constant surveillance by North Korean minders, Tomas Van Houtryve managed to photograph people and places rarely, if ever, seen by outsiders.
National GeographicFor “The Other Tibet,” by Matthew Teague; photographs by Carolyn DrakeDecember"The Other Tibet" captures, with terrible beauty, the Uyghurs, a Muslim people of China's resource-rich far west and their peril of becoming strangers in their own land.
National GeographicChris Johns, Editor-in-ChiefFor “Shattered Somalia,” by Robert Draper; photographs by Pascal MaitreMayWith his camera focused on the once grand capital of Mogadishu, Pascal Maitre illustrates just how desperate life in Somalia has become.
New YorkAdam Moss, Editor-in-ChiefFor “Rose’s Last Turn,” by Boris Kachka; photographs by Gillian LaubFebruary 2Chronicling one day in the life of Broadway's Patti LuPone, Gillian Laub created a unique combination of photojournalism and celebrity portraiture.
Virginia Quarterly ReviewTed Genoways, EditorFor “The Young Mothers of Port-au-Prince,” by Ruxandra Guidi; photographs by Bear GuerraSummerNearly two years before Haiti was devastated by earthquake, Bear Guerra captured the tragedy of those already left adrift there.
Photo PortfolioHonors creative photography and photo illustration, including portraiture
National GeographicChris Johns, Editor-in-ChiefFor “The Hadza,” by Michael Finkel; photographs by Martin SchoellerDecember 2009Martin Schoeller celebrates the individuality and character of the members of a "lost tribe" even as he shows the fascinating context in which they live. New YorkAdam Moss, Editor-in-ChiefFor “Exquisite Circus,” photographs by Marcus BleasdaleAugust 24Marcus Bleasdale takes a ringside seat at the Fashion Week circus, offering readers a deeply idiosyncratic, unexpected take on the fanfare and the freak show. The New YorkerDavid Remnick, EditorFor “Portraits of Power,” photographs by PlatonDecember 7In juxtaposing despots and democrats, warriors and peacemakers, "Portraits of Power" presents a sometimes inspiring, sometimes chilling narrative of global leadership circa 2009. OutAaron Hicklin, Editor-in-ChiefFor “Out 100: The Class of 2009,” photographs by Jason BellDecember 2009/January 2010Jason Bell brings warmth and wit to his portraits of icons—both gay and straight—from the worlds of art, entertainment, business, politics and beyond. WPatrick McCarthy, Chairman and Editorial DirectorFor “Art and Commerce,” photographs by Inez Van Lamsweerde and Vinoodh MatadinOctober 2009In this gorgeous portfolio, Inez Van Lamsweerde and Vinoodh Matadin mate visual art with the performance art that is fashion, bringing fresh exuberance to the magazine page.
National GeographicChris Johns, Editor-in-ChiefFor “The Hadza,” by Michael Finkel; photographs by Martin SchoellerDecember 2009Martin Schoeller celebrates the individuality and character of the members of a "lost tribe" even as he shows the fascinating context in which they live.
New YorkAdam Moss, Editor-in-ChiefFor “Exquisite Circus,” photographs by Marcus BleasdaleAugust 24Marcus Bleasdale takes a ringside seat at the Fashion Week circus, offering readers a deeply idiosyncratic, unexpected take on the fanfare and the freak show.
The New YorkerDavid Remnick, EditorFor “Portraits of Power,” photographs by PlatonDecember 7In juxtaposing despots and democrats, warriors and peacemakers, "Portraits of Power" presents a sometimes inspiring, sometimes chilling narrative of global leadership circa 2009.
OutAaron Hicklin, Editor-in-ChiefFor “Out 100: The Class of 2009,” photographs by Jason BellDecember 2009/January 2010Jason Bell brings warmth and wit to his portraits of icons—both gay and straight—from the worlds of art, entertainment, business, politics and beyond.
WPatrick McCarthy, Chairman and Editorial DirectorFor “Art and Commerce,” photographs by Inez Van Lamsweerde and Vinoodh MatadinOctober 2009In this gorgeous portfolio, Inez Van Lamsweerde and Vinoodh Matadin mate visual art with the performance art that is fashion, bringing fresh exuberance to the magazine page.
Single-Topic IssueRecognizes magazines that have devoted an issue to the in-depth examination of one topic
ESPN The MagazineGary Belsky, Editor-in-ChiefFor The Body IssueOctober 19"The Body Issue" reveals the genetic wonder and raw beauty of the sculpted athlete with a stunning series of photographic portraits and penetrating articles. New YorkAdam Moss, Editor-in-ChiefFor Fall FashionAugust 24"The Fashion Issue" captures the energy, magic and occasional folly of fashion in this wholly original special issue. The New YorkerDavid Remnick, EditorFor The Food IssueNovember 23"The Food Issue" investigates the Michelin ratings, the Canadian delicacy poutine and the delicious but disturbingly named Spit Cake—and yes, there are lots of food cartoons. WPatrick McCarthy, Chairman and Editorial DirectorFor The Fourth Annual Art IssueNovemberWith provocative imagery and brain-tickling writing, W proves that magazine editors can create works of art suitable for hanging on a museum wall. WiredChris Anderson, Editor-in-ChiefFor The Mystery IssueMay"The Mystery Issue" is packed with mind-bending questions about conspiracies, magic tricks, practical physics and more. The answers aren't obvious. And that's the point.
ESPN The MagazineGary Belsky, Editor-in-ChiefFor The Body IssueOctober 19"The Body Issue" reveals the genetic wonder and raw beauty of the sculpted athlete with a stunning series of photographic portraits and penetrating articles.
New YorkAdam Moss, Editor-in-ChiefFor Fall FashionAugust 24"The Fashion Issue" captures the energy, magic and occasional folly of fashion in this wholly original special issue.
The New YorkerDavid Remnick, EditorFor The Food IssueNovember 23"The Food Issue" investigates the Michelin ratings, the Canadian delicacy poutine and the delicious but disturbingly named Spit Cake—and yes, there are lots of food cartoons.
WPatrick McCarthy, Chairman and Editorial DirectorFor The Fourth Annual Art IssueNovemberWith provocative imagery and brain-tickling writing, W proves that magazine editors can create works of art suitable for hanging on a museum wall.
WiredChris Anderson, Editor-in-ChiefFor The Mystery IssueMay"The Mystery Issue" is packed with mind-bending questions about conspiracies, magic tricks, practical physics and more. The answers aren't obvious. And that's the point.
Magazine SectionRecognizes the excellence of a regular, cohesive front- or back-of-back section
EsquireDavid Granger, Editor-in-ChiefFor Man at His BestMay, September, NovemberEsquire's "Man at His Best" serves up plenty of what men hunger for: intelligence, entertainment, cars, gizmos, good reads, health and sex. GQJim Nelson, Editor-in-ChiefFor IntelligenceSeptember, October, NovemberIn GQ's "Intelligence" section, insight meets good taste in a stylish package as entertaining as the subjects in its viewfinder. GQJim Nelson, Editor-in-ChiefFor ManualMarch, October, NovemberGQ's "Manual" is the kind of place where a recipe for Brussel sprouts follows a guide to cologne. The pacing is brisk, but each page, dense with information, rewards close study. New YorkAdam Moss, Editor-in-ChiefFor StrategistApril 20, May 25, October 26Using sharp writing, useful illustrations and compelling photography, "Strategist" surprises readers with information they didn't know they wanted to know. WiredChris Anderson, Editor-in-ChiefFor StartFebruary, June, DecemberWhether analyzing the differences among 11 types of lightening bolts or the germ-killing properties in a bottle of Palmolive, Wired's "Start" section enlightens and entertaines.
EsquireDavid Granger, Editor-in-ChiefFor Man at His BestMay, September, NovemberEsquire's "Man at His Best" serves up plenty of what men hunger for: intelligence, entertainment, cars, gizmos, good reads, health and sex.
GQJim Nelson, Editor-in-ChiefFor IntelligenceSeptember, October, NovemberIn GQ's "Intelligence" section, insight meets good taste in a stylish package as entertaining as the subjects in its viewfinder.
GQJim Nelson, Editor-in-ChiefFor ManualMarch, October, NovemberGQ's "Manual" is the kind of place where a recipe for Brussel sprouts follows a guide to cologne. The pacing is brisk, but each page, dense with information, rewards close study.
New YorkAdam Moss, Editor-in-ChiefFor StrategistApril 20, May 25, October 26Using sharp writing, useful illustrations and compelling photography, "Strategist" surprises readers with information they didn't know they wanted to know.
WiredChris Anderson, Editor-in-ChiefFor StartFebruary, June, DecemberWhether analyzing the differences among 11 types of lightening bolts or the germ-killing properties in a bottle of Palmolive, Wired's "Start" section enlightens and entertaines.
Personal ServiceHonors the outstanding use of print journalism to serve the readers’ needs and aspirations
5280Daniel Brogan, Editor and PublisherFor “Low on O2,” by Lindsey B. Koehler and Natasha GardnerOctoberIn this smart, compelling, and well-designed package, 5280 reaches high to deliver a perfectly targeted piece on altitude sickness.Men’s HealthDavid Zinczenko, Editor-in-ChiefFor “Dead Man Driving,” by Oliver Broudy; photographs by Eric OgdenDecember"Dead Man Driving" is a compelling, multidimensional guide to safe driving, propelled by a suspenseful narrative that keeps the reader hooked. New YorkAdam Moss, Editor-in-ChiefFor “For and Against Foreskin,” by Michael IdovOctober 26Navigating religious, ethnic, sexual and psychological minefields, "For and Against Foreskin" somehow manages to let readers find their own way around this question. ParentsDana Points, Editor-in-ChiefFor a three-part series by Meryl Davids Landau“So Long, Cigarettes!” February; “You Can Do It!” March; “Breathe Easy,” AprilIn this comprehensive, three-part series, Parents offers a helpful, even inspiring, step-by-step guide for mom's kicking the habit. WiredChris Anderson, Editor-in-ChiefFor “How to Behave"AugustWith plenty of attitude, zany graphics and counterintuitive answers, Wired gives its readers an exceptionally timely etiquette manual for the digital age.
5280Daniel Brogan, Editor and PublisherFor “Low on O2,” by Lindsey B. Koehler and Natasha GardnerOctoberIn this smart, compelling, and well-designed package, 5280 reaches high to deliver a perfectly targeted piece on altitude sickness.
Men’s HealthDavid Zinczenko, Editor-in-ChiefFor “Dead Man Driving,” by Oliver Broudy; photographs by Eric OgdenDecember"Dead Man Driving" is a compelling, multidimensional guide to safe driving, propelled by a suspenseful narrative that keeps the reader hooked.
New YorkAdam Moss, Editor-in-ChiefFor “For and Against Foreskin,” by Michael IdovOctober 26Navigating religious, ethnic, sexual and psychological minefields, "For and Against Foreskin" somehow manages to let readers find their own way around this question.
ParentsDana Points, Editor-in-ChiefFor a three-part series by Meryl Davids Landau“So Long, Cigarettes!” February; “You Can Do It!” March; “Breathe Easy,” AprilIn this comprehensive, three-part series, Parents offers a helpful, even inspiring, step-by-step guide for mom's kicking the habit.
WiredChris Anderson, Editor-in-ChiefFor “How to Behave"AugustWith plenty of attitude, zany graphics and counterintuitive answers, Wired gives its readers an exceptionally timely etiquette manual for the digital age.
Leisure InterestsRecognizes excellence in service journalism focusing on recreational activities and special interests
EsquireDavid Granger, Editor-in-ChiefFor “Esquire’s All-You-Can-Eat Breakfast"MarchA love letter to breakfast, this captivating package serves up great writing, practical service and casual mouth-watering recipes. Field & StreamAnthony Licata, EditorFor “America’s Meat"December 2009/January 2010This offbeat feature on the glories of venison is unconventionally appealing. Field & Stream brings a gourmet touch to a decidedly middle-American pursuit. New YorkAdam Moss, Editor-in-ChiefFor “The Great New York Neoclassical Neapolitan Pizza Revolution,” by Bob Patronite and Robin Raisfeld with Michael Idov and Christine WhitneyJuly 20-27Absolutely inclusive yet fearlessly specific (not just pizza, but Neapolitan pizza), this enticing package is filled with pie-making answers. Texas MonthlyEvan Smith, President and Editor-in-Chief; Jake Silverstein, EditorFor “The 50 Greatest Hamburgers in Texas,” by Patricia Sharpe and Jake SilversteinAugustThe extra toppings are what set this feature apart—reflections by prominent Texans on their favorite joints and a fascinating investigation into the burger's birthplace. Texas MonthlyJake Silverstein, EditorFor "Step Right Up," by John SpongDecember"Step Right Up" brings to life Texas' "good old country dance halls"—a history full of first kisses and last dances.
EsquireDavid Granger, Editor-in-ChiefFor “Esquire’s All-You-Can-Eat Breakfast"MarchA love letter to breakfast, this captivating package serves up great writing, practical service and casual mouth-watering recipes.
Field & StreamAnthony Licata, EditorFor “America’s Meat"December 2009/January 2010This offbeat feature on the glories of venison is unconventionally appealing. Field & Stream brings a gourmet touch to a decidedly middle-American pursuit.
New YorkAdam Moss, Editor-in-ChiefFor “The Great New York Neoclassical Neapolitan Pizza Revolution,” by Bob Patronite and Robin Raisfeld with Michael Idov and Christine WhitneyJuly 20-27Absolutely inclusive yet fearlessly specific (not just pizza, but Neapolitan pizza), this enticing package is filled with pie-making answers.
Texas MonthlyEvan Smith, President and Editor-in-Chief; Jake Silverstein, EditorFor “The 50 Greatest Hamburgers in Texas,” by Patricia Sharpe and Jake SilversteinAugustThe extra toppings are what set this feature apart—reflections by prominent Texans on their favorite joints and a fascinating investigation into the burger's birthplace.
Texas MonthlyJake Silverstein, EditorFor "Step Right Up," by John SpongDecember"Step Right Up" brings to life Texas' "good old country dance halls"—a history full of first kisses and last dances.
Public InterestRecognizes magazine journalism that illuminates issues of public importance
Boston ReviewDeborah Chasman and Joshua Cohen, EditorsFor “A Death in Texas,” by Tom BarryNovember/December"A Death in Texas" shows how the increasing criminalization of immigration and the economic desperation of the border region open the door to corporate profiteering. National GeographicChris Johns, Editor-in-ChiefFor “Scraping Bottom,” by Robert KunzigMarchIn "Scraping Bottom," Robert Kunzig lays bare the economic boom and environmental bust unfolding in northern Alberta, a byproduct of world's insatiable thirst for oil. The New YorkerDavid Remnick, EditorFor “The Cost Conundrum,” by Atul GawandeJune 1Atul Gawande deftly works his way through the evidence as he tries to uncover the truth behind the shockingly high healthcare tab being run up in McAllen, Texas. San FranciscoBruce Kelley, Editor-in-ChiefFor “War of Values,” by Danelle MortonDecember"War of Values" investigates the links between global financial markets, one powerful family's real estate business and San Francisco's housing market. Technology ReviewJason Pontin, Editor-in-Chief and PublisherFor a two-part series by David Rotman“Can Technology Save the Economy?," May/June; "Chasing the Sun," July/AugustWill $100 billion-plus in stimulus spending spur innovation and jump-start the economy? David Rotman's insightful answer to this question will not reassure Democrats.
Boston ReviewDeborah Chasman and Joshua Cohen, EditorsFor “A Death in Texas,” by Tom BarryNovember/December"A Death in Texas" shows how the increasing criminalization of immigration and the economic desperation of the border region open the door to corporate profiteering.
National GeographicChris Johns, Editor-in-ChiefFor “Scraping Bottom,” by Robert KunzigMarchIn "Scraping Bottom," Robert Kunzig lays bare the economic boom and environmental bust unfolding in northern Alberta, a byproduct of world's insatiable thirst for oil.
The New YorkerDavid Remnick, EditorFor “The Cost Conundrum,” by Atul GawandeJune 1Atul Gawande deftly works his way through the evidence as he tries to uncover the truth behind the shockingly high healthcare tab being run up in McAllen, Texas.
San FranciscoBruce Kelley, Editor-in-ChiefFor “War of Values,” by Danelle MortonDecember"War of Values" investigates the links between global financial markets, one powerful family's real estate business and San Francisco's housing market.
Technology ReviewJason Pontin, Editor-in-Chief and PublisherFor a two-part series by David Rotman“Can Technology Save the Economy?," May/June; "Chasing the Sun," July/AugustWill $100 billion-plus in stimulus spending spur innovation and jump-start the economy? David Rotman's insightful answer to this question will not reassure Democrats.
ReportingHonors the enterprise, skill and analysis that a magazine exhibits in covering an event or problem of contemporary interest and significance
The Boston Globe MagazineSusanne Althoff, EditorFor a two-part series by Neil Swidey“Trapped,” August 9; “The Way Out,” August 16Meticulously reported and crackling with suspense, Neil Swidey's two-part series shines a light on an environmental-cleanup mega-project gone fatally wrong. The New York Times MagazineGerald Marzorati, EditorFor “The Deadly Choices at Memorial,” by Sheri FinkAugust 30Of all the tragedies associate with Hurricane Katrina, perhaps the most disturbing was what happened at Memorial Hospital, as reported in this piece from The New York Times Magazine and ProPublica. The New YorkerDavid Remnick, EditorFor “Eight Days,” by James B. StewartSeptember 21In this account of what he calls "the most important week in American financial history since the Great Depression," James B. Stewart chronicles the collapse of Lehman Brothers and the bail-out of AIG. The New YorkerDavid Remnick, EditorFor “Trial by Fire,” by David GrannSeptember 7"Trial by Fire" re-examines the evidence and testimony that led a jury to convict an innocent man—and the State of Texas to put a needle in his arm. Vanity FairGraydon Carter, EditorFor a three-part series“Madoff’s World,” by Mark Seal, April; “Hello, Madoff!” by Mark Seal and Eleanor Squillari, June; “Ruth’s World,” by Mark Seal, SeptemberThis three-part series offers readers a close look at the mind-numbing disconnect between the trust inspired by "Uncle Bernie" and his acts of cold-blooded treachery.
The Boston Globe MagazineSusanne Althoff, EditorFor a two-part series by Neil Swidey“Trapped,” August 9; “The Way Out,” August 16Meticulously reported and crackling with suspense, Neil Swidey's two-part series shines a light on an environmental-cleanup mega-project gone fatally wrong.
The New York Times MagazineGerald Marzorati, EditorFor “The Deadly Choices at Memorial,” by Sheri FinkAugust 30Of all the tragedies associate with Hurricane Katrina, perhaps the most disturbing was what happened at Memorial Hospital, as reported in this piece from The New York Times Magazine and ProPublica.
The New YorkerDavid Remnick, EditorFor “Eight Days,” by James B. StewartSeptember 21In this account of what he calls "the most important week in American financial history since the Great Depression," James B. Stewart chronicles the collapse of Lehman Brothers and the bail-out of AIG.
The New YorkerDavid Remnick, EditorFor “Trial by Fire,” by David GrannSeptember 7"Trial by Fire" re-examines the evidence and testimony that led a jury to convict an innocent man—and the State of Texas to put a needle in his arm.
Vanity FairGraydon Carter, EditorFor a three-part series“Madoff’s World,” by Mark Seal, April; “Hello, Madoff!” by Mark Seal and Eleanor Squillari, June; “Ruth’s World,” by Mark Seal, SeptemberThis three-part series offers readers a close look at the mind-numbing disconnect between the trust inspired by "Uncle Bernie" and his acts of cold-blooded treachery.
Feature WritingHonors the stylishness and originality with which the writer treats her or his subject
EsquireDavid Granger, Editor-in-ChiefFor “The Last Abortion Doctor,” by John H. RichardsonSeptemberA vivid portrait of the last doctor alive prepared to do late-term abortions, this piece neither condemns nor commends his work but explores his personality and instincts. The New York Times MagazineGerald Marzorati, EditorFor “The Holy Grail of the Unconscious,” by Sara CorbettSeptember 20Carl Jung's diary has been hidden away for a century. Sara Corbett's detailed reporting and insightful writing turn the story of its publication into a riveting adventure story. Texas MonthlyEvan Smith, President and Editor-in-Chief; Jake Silverstein, EditorFor “Still Life,” by Skip HollandsworthMayUsing spare yet detail-rich prose, Skip Hollandsworth tells the story of a horribly injured man confined to his bed for 33 years and the mother who cared for him. Vanity FairGraydon Carter, EditorFor “Wall Street on the Tundra,” by Michael LewisAprilMichael Lewis's penetrating and witty reporting and writing explains just how it was Iceland became the case study for the global financial crisis.WiredChris Anderson, Editor-in-Chief“Vanish,” by Evan RatliffDecemberEvan Ratliff tried to disappear for a month. This well-told narrative chronicles a cat-and-computer-mouse game that pitted a resourceful writer against a horde of equally committed social networkers.
EsquireDavid Granger, Editor-in-ChiefFor “The Last Abortion Doctor,” by John H. RichardsonSeptemberA vivid portrait of the last doctor alive prepared to do late-term abortions, this piece neither condemns nor commends his work but explores his personality and instincts.
The New York Times MagazineGerald Marzorati, EditorFor “The Holy Grail of the Unconscious,” by Sara CorbettSeptember 20Carl Jung's diary has been hidden away for a century. Sara Corbett's detailed reporting and insightful writing turn the story of its publication into a riveting adventure story.
Texas MonthlyEvan Smith, President and Editor-in-Chief; Jake Silverstein, EditorFor “Still Life,” by Skip HollandsworthMayUsing spare yet detail-rich prose, Skip Hollandsworth tells the story of a horribly injured man confined to his bed for 33 years and the mother who cared for him.
Vanity FairGraydon Carter, EditorFor “Wall Street on the Tundra,” by Michael LewisAprilMichael Lewis's penetrating and witty reporting and writing explains just how it was Iceland became the case study for the global financial crisis.
WiredChris Anderson, Editor-in-Chief“Vanish,” by Evan RatliffDecemberEvan Ratliff tried to disappear for a month. This well-told narrative chronicles a cat-and-computer-mouse game that pitted a resourceful writer against a horde of equally committed social networkers.
Profile WritingHonors the vividness and perceptiveness with which the writer brings his or her subject to life
EsquireDavid Granger, Editor-in-ChiefFor “The Man Who Never Was,” by Mike SagerMayHe was supposed to be the best quarterback in history. Esquire gauges the distance between expectation and disappointment without sentiment or mawkishness. New YorkAdam Moss, Editor-in-ChiefFor “A Nonfiction Marriage,” by Jonathan Van MeterMay 4What begins as a profile of one of our era's most accomplished nonfiction writers, Gay Talese, seamlessly evolves into an examination of a 50-year-long marriage. The New YorkerDavid Remnick, EditorFor “Man of Extremes,” by Dana GoodyearOctober 26James Cameron makes epic movies. And as Dana Goodyear shows in this fascinating profile, he leads an equally epic life. Vanity FairGraydon Carter, EditorFor “The Man in the Rockefeller Suit,” by Mark SealJanuaryIn this profile of the man who called himself Clark Rockefeller, Mark Seal uses abundant reporting and skillful storytelling to create a picaresque tale for our times. Vanity FairGraydon Carter, EditorFor “Marc Dreier’s Crime of Destiny,” by Bryan BurroughNovemberIn this darkly humorous and ultimately heartbreaking profile, Bryan Burrough vividly depicts a man who let his sense of entitlement turn him into a criminal.
EsquireDavid Granger, Editor-in-ChiefFor “The Man Who Never Was,” by Mike SagerMayHe was supposed to be the best quarterback in history. Esquire gauges the distance between expectation and disappointment without sentiment or mawkishness.
New YorkAdam Moss, Editor-in-ChiefFor “A Nonfiction Marriage,” by Jonathan Van MeterMay 4What begins as a profile of one of our era's most accomplished nonfiction writers, Gay Talese, seamlessly evolves into an examination of a 50-year-long marriage.
The New YorkerDavid Remnick, EditorFor “Man of Extremes,” by Dana GoodyearOctober 26James Cameron makes epic movies. And as Dana Goodyear shows in this fascinating profile, he leads an equally epic life.
Vanity FairGraydon Carter, EditorFor “The Man in the Rockefeller Suit,” by Mark SealJanuaryIn this profile of the man who called himself Clark Rockefeller, Mark Seal uses abundant reporting and skillful storytelling to create a picaresque tale for our times.
Vanity FairGraydon Carter, EditorFor “Marc Dreier’s Crime of Destiny,” by Bryan BurroughNovemberIn this darkly humorous and ultimately heartbreaking profile, Bryan Burrough vividly depicts a man who let his sense of entitlement turn him into a criminal.
EssaysRecognizes the writer’s eloquence, perspective, fresh thinking and unique voice
National GeographicChris Johns, Editor-in-ChiefFor “Top Ten State Fair Joys,” by Garrison KeillorJulyFrom the breadbasket of our country comes a deep-fried, deliciously revealing essay by Garrison Keillor on the peculiarly American ritual of the state fair. The New York Times MagazineGerald Marzorati, EditorFor “A Journey Through Darkness,” by Daphne MerkinMay 10With stellar writing and incisive details, Daphne Merkin's riveting essay envelopes you inside what she calls the "gray and itchy wool blanket" of depression. The New York Times MagazineGerald Marzorati, EditorFor “Out of the Kitchen, Onto the Couch,” by Michael PollanAugust 2In "Out of the Kitchen, Onto the Couch," Michael Pollan traces a cultural history of cooking and exposes how food as spectacle is at war with food as nourishment. OrionH. Emerson Blake, Editor-in-ChiefFor “Out West,” by Joe WilkinsSeptember/OctoberIn this raw and richly descriptive essay, Joe Wilkins explores the violence that runs through his parents' and grandparents' relationship to their Montana landscape. Sports IllustratedTerry McDonell, EditorFor “And Yet . . . ,” by Mitch AlbomJanuary 12With humor, passion and no shortage of melancholy, Mitch Albom explains how Detroit residents haven't just endured their city's woes but retained an outsize sense of pride.
National GeographicChris Johns, Editor-in-ChiefFor “Top Ten State Fair Joys,” by Garrison KeillorJulyFrom the breadbasket of our country comes a deep-fried, deliciously revealing essay by Garrison Keillor on the peculiarly American ritual of the state fair.
The New York Times MagazineGerald Marzorati, EditorFor “A Journey Through Darkness,” by Daphne MerkinMay 10With stellar writing and incisive details, Daphne Merkin's riveting essay envelopes you inside what she calls the "gray and itchy wool blanket" of depression.
The New York Times MagazineGerald Marzorati, EditorFor “Out of the Kitchen, Onto the Couch,” by Michael PollanAugust 2In "Out of the Kitchen, Onto the Couch," Michael Pollan traces a cultural history of cooking and exposes how food as spectacle is at war with food as nourishment.
OrionH. Emerson Blake, Editor-in-ChiefFor “Out West,” by Joe WilkinsSeptember/OctoberIn this raw and richly descriptive essay, Joe Wilkins explores the violence that runs through his parents' and grandparents' relationship to their Montana landscape.
Sports IllustratedTerry McDonell, EditorFor “And Yet . . . ,” by Mitch AlbomJanuary 12With humor, passion and no shortage of melancholy, Mitch Albom explains how Detroit residents haven't just endured their city's woes but retained an outsize sense of pride.
Columns and CommentaryRecognizes excellence in short-form social, economic and political commentary, including humor
The AtlanticJames Bennet, EditorFor three columns by Megan McArdle “Sink and Swim,” June; “Misleading Indicator,” November; “Lead Us Not Into Debt,” DecemberMegan McArdle's business columns are offbeat and on target, compelling readers to re-examine their views on familiar topics and to take sharp notice of new ones. The EconomistJohn Micklethwait, Editor-in-ChiefFor three “Obituary” columns by Ann Wroe“Danny La Rue,” June 13; “Benson,” August 15; “William Safire,” October 3Ann Wroe's brief "Obituary" columns are perfectly crafted pieces that not only reveal but embody the essence of the subject, leaving behind fascinating and indelible tributes. NewsweekJon Meacham, EditorFor three columns by Fareed Zakaria“Worthwhile Canadian Initiative,” February 16; “The Way Out of Afghanistan,” September 21; “Theocracy and Its Discontents,” June 29In a voice that transcends ideology, Newsweek's Fareed Zakaria breaks new ground on matters foreign and domestic. Popular ScienceMark Jannot, Editor-in-ChiefFor three “Gray Matter” columns by Theodore Gray“The Other White Heat,” May; “Gone in a Flash,” September; “Flash Bang,” OctoberTheodore Gray regularly delivers a concise tutorial on the science of how things work. "Gray Matter" is, in a sense, an argument for awe, for a sense of wonder. Travel + LeisureNancy Novogrod, Editor-in-ChiefFor three columns by Peter Jon Lindberg“In Defense of Tourism,” January; “Unhappy to Serve You,” September; “Stop the Music!” NovemberWhether praising tourist traps, railing against Muzak or pondering our mysterious attraction to snooty waiters, Peter Jon Lindberg's columns brim with verve and humor.
The AtlanticJames Bennet, EditorFor three columns by Megan McArdle “Sink and Swim,” June; “Misleading Indicator,” November; “Lead Us Not Into Debt,” DecemberMegan McArdle's business columns are offbeat and on target, compelling readers to re-examine their views on familiar topics and to take sharp notice of new ones.
The EconomistJohn Micklethwait, Editor-in-ChiefFor three “Obituary” columns by Ann Wroe“Danny La Rue,” June 13; “Benson,” August 15; “William Safire,” October 3Ann Wroe's brief "Obituary" columns are perfectly crafted pieces that not only reveal but embody the essence of the subject, leaving behind fascinating and indelible tributes.
NewsweekJon Meacham, EditorFor three columns by Fareed Zakaria“Worthwhile Canadian Initiative,” February 16; “The Way Out of Afghanistan,” September 21; “Theocracy and Its Discontents,” June 29In a voice that transcends ideology, Newsweek's Fareed Zakaria breaks new ground on matters foreign and domestic.
Popular ScienceMark Jannot, Editor-in-ChiefFor three “Gray Matter” columns by Theodore Gray“The Other White Heat,” May; “Gone in a Flash,” September; “Flash Bang,” OctoberTheodore Gray regularly delivers a concise tutorial on the science of how things work. "Gray Matter" is, in a sense, an argument for awe, for a sense of wonder.
Travel + LeisureNancy Novogrod, Editor-in-ChiefFor three columns by Peter Jon Lindberg“In Defense of Tourism,” January; “Unhappy to Serve You,” September; “Stop the Music!” NovemberWhether praising tourist traps, railing against Muzak or pondering our mysterious attraction to snooty waiters, Peter Jon Lindberg's columns brim with verve and humor.
Reviews and CriticismHonors the knowledge, persuasiveness and original voice that the critic brings to her or his reviews
GQJim Nelson, Editor-in-ChiefFor three reviews by Tom Carson“The Great White Hype,” May; “One Glorious ‘Basterd,’” September; “There’s a Sucker Born Every Minute,” NovemberWith dazzling skill, Tom Carson uses popular culture as a lens on our country's obsessions, charging his work with both relevance and revelation. Harper’s MagazineRoger D. Hodge, EditorFor two reviews by Jonathan Dee“Suburban Ghetto,” April; “Motherless Children,” SeptemberIn two reviews for Harper's, Jonathan Dee uses the entire critic's toolbox to upend the received wisdom on two major literary figures, Lorrie Moore and John Cheever. Los AngelesKit Rachlis, Editor-in-ChiefFor two reviews by Steve Erickson: “The Next Frontier,” January; “War Games,” JulyMary Melton, EditorFor a review by Steve Erickson: “No Ordinary Fad,” SeptemberSteve Erickson challenges, provokes and, yes, praises. With imagination and insight, Erickson carves a unique path, and we, the readers, trust him as our guide. The New YorkerDavid Remnick, EditorFor three reviews by Elizabeth Kolbert“Green Like Me,” August 31; “Flesh of Your Flesh,” November 9; “Hosed,” November 16Each of Elizabeth Kolbert's reviews are marked by humor and lucidity, characteristics that make even her most acidic assertions addictively appealing. PasteJosh Jackson, Editor-in-ChiefFor three reviews by Rachael Maddux“Cold Bore,” July; “Brandi, (You’re a Fine Girl),” September; “Just Peachy,” December 2009/January 2010Comfortable across genres, willing to dance as well as sit and reflect, Rachel Maddux is the critic all musicians—the best ones, at least—would want as their listener.
GQJim Nelson, Editor-in-ChiefFor three reviews by Tom Carson“The Great White Hype,” May; “One Glorious ‘Basterd,’” September; “There’s a Sucker Born Every Minute,” NovemberWith dazzling skill, Tom Carson uses popular culture as a lens on our country's obsessions, charging his work with both relevance and revelation.
Harper’s MagazineRoger D. Hodge, EditorFor two reviews by Jonathan Dee“Suburban Ghetto,” April; “Motherless Children,” SeptemberIn two reviews for Harper's, Jonathan Dee uses the entire critic's toolbox to upend the received wisdom on two major literary figures, Lorrie Moore and John Cheever.
Los AngelesKit Rachlis, Editor-in-ChiefFor two reviews by Steve Erickson: “The Next Frontier,” January; “War Games,” JulyMary Melton, EditorFor a review by Steve Erickson: “No Ordinary Fad,” SeptemberSteve Erickson challenges, provokes and, yes, praises. With imagination and insight, Erickson carves a unique path, and we, the readers, trust him as our guide.
The New YorkerDavid Remnick, EditorFor three reviews by Elizabeth Kolbert“Green Like Me,” August 31; “Flesh of Your Flesh,” November 9; “Hosed,” November 16Each of Elizabeth Kolbert's reviews are marked by humor and lucidity, characteristics that make even her most acidic assertions addictively appealing.
PasteJosh Jackson, Editor-in-ChiefFor three reviews by Rachael Maddux“Cold Bore,” July; “Brandi, (You’re a Fine Girl),” September; “Just Peachy,” December 2009/January 2010Comfortable across genres, willing to dance as well as sit and reflect, Rachel Maddux is the critic all musicians—the best ones, at least—would want as their listener.
FictionRecognizes excellence in fiction published in magazines
The Antioch ReviewRobert S. Fogarty, EditorFor “The Coat,” by Uwe Timm, translated by Robert C. Conard, SummerUwe Timm's "The Coat" offers an affecting portrait of an elderly widow's quiet struggle to retain her dignity after her prized fur coat is defaced by an anonymous protester. McSweeney’s QuarterlyDave Eggers, EditorFor “Memory Wall,” by Anthony Doerr, October 1; “Raw Water,” by Wells Tower, October 1; “Further Interpretations of Real-Life Events,” by Kevin Moffett, March 3These stories mesmerize in their depiction of untamed characters, the losses shared by father and son and the things we choose to remember—and to forget. The New YorkerDavid Remnick, EditorFor “In the South,” by Salman Rushdie, May 18; “War Dances,” by Sherman Alexie, August 10 and 17; “Diary of an Interesting Year,” by Helen Simpson, December 21 and 28With these stories, The New Yorker continues its tradition of showcasing fiercely original voices in fiction—here Sherman Alexie, Salman Rushdie and Helen Simpson. The New YorkerDavid Remnick, EditorFor “A Tiny Feast,” by Chris Adrian, April 20; “The Tiger’s Wife,” by Téa Obreht, June 8 and 15; “Victory Lap,” by George Saunders, October 5Pediatric oncology, folk memories, the interior monologues of the popular girl, her would-be rapist and the nerd next door—in these stories, reality is but one more world. Virginia Quarterly ReviewTed Genoways, EditorFor “The Vanishing American,” by Leslie Parry, Fall; “Fauntleroy’s Ghost,” by Vinnie Wilhelm, WinterHollywood and its broken dreams provide the backdrop for these two stories, one an absurdist mystery, the other the record of the mute yearnings of a silent-movie extra.
The Antioch ReviewRobert S. Fogarty, EditorFor “The Coat,” by Uwe Timm, translated by Robert C. Conard, SummerUwe Timm's "The Coat" offers an affecting portrait of an elderly widow's quiet struggle to retain her dignity after her prized fur coat is defaced by an anonymous protester.
McSweeney’s QuarterlyDave Eggers, EditorFor “Memory Wall,” by Anthony Doerr, October 1; “Raw Water,” by Wells Tower, October 1; “Further Interpretations of Real-Life Events,” by Kevin Moffett, March 3These stories mesmerize in their depiction of untamed characters, the losses shared by father and son and the things we choose to remember—and to forget.
The New YorkerDavid Remnick, EditorFor “In the South,” by Salman Rushdie, May 18; “War Dances,” by Sherman Alexie, August 10 and 17; “Diary of an Interesting Year,” by Helen Simpson, December 21 and 28With these stories, The New Yorker continues its tradition of showcasing fiercely original voices in fiction—here Sherman Alexie, Salman Rushdie and Helen Simpson.
The New YorkerDavid Remnick, EditorFor “A Tiny Feast,” by Chris Adrian, April 20; “The Tiger’s Wife,” by Téa Obreht, June 8 and 15; “Victory Lap,” by George Saunders, October 5Pediatric oncology, folk memories, the interior monologues of the popular girl, her would-be rapist and the nerd next door—in these stories, reality is but one more world.
Virginia Quarterly ReviewTed Genoways, EditorFor “The Vanishing American,” by Leslie Parry, Fall; “Fauntleroy’s Ghost,” by Vinnie Wilhelm, WinterHollywood and its broken dreams provide the backdrop for these two stories, one an absurdist mystery, the other the record of the mute yearnings of a silent-movie extra.
Magazine of the YearHonors publications that successfully use both print and digital media in fulfilling the editorial mission of the magazine
The AtlanticJames Bennet, EditorTheAtlantic.com: Bob Cohn, Editorial DirectorFor March 2009; June 2009; December 2009 IssuesA leading forum for big ideas, The Atlantic has extended its voice online in a way that engages a whole new set of readers. The result: a reinvented thought magazine with a speeded-up metabolism. Fast CompanyRobert Safian, EditorFastCompany.com: Noah Robischon, Executive EditorFor February, July/August, December 2009/January 2010 IssuesThe voice of Fast Company across all platforms is consistently insightful, inventive and inspiring, and online tools like the video series "30-Second MBA" deliver experiences that print cannot. GlamourCynthia Leive, Editor-in-ChiefGlamour.com: Ben Berentson, Online Managing Director; Anne Sachs, Online Editorial DirectorFor April; September; November IssuesSmart, ambitious and engaging in print, Glamour has used its online presence to further deepen its legendary relationship with its legion of loyal readers. Men’s HealthDavid Zinczenko, Editor-in-ChiefMensHealth.com: William G. Phillips, Executive EditorFor September, October, December IssuesMen's Health has one ambition both in print and online—to improve the lives of its readers. A suite of rich and useful mobile apps carry the Men's Health sensibility into gyms, stores and restaurants. New YorkAdam Moss, Editor-in-ChiefNYMag.com: Kelly Maloni, Executive Editor; Ben Williams, Editorial DirectorFor April 20, October 5, October 26 IssuesFew magazines have integrated their print and web iterations as successfully as New York. Its editors bring their passion for the city alive not only week after week but hour by hour.
The AtlanticJames Bennet, EditorTheAtlantic.com: Bob Cohn, Editorial DirectorFor March 2009; June 2009; December 2009 IssuesA leading forum for big ideas, The Atlantic has extended its voice online in a way that engages a whole new set of readers. The result: a reinvented thought magazine with a speeded-up metabolism.
Fast CompanyRobert Safian, EditorFastCompany.com: Noah Robischon, Executive EditorFor February, July/August, December 2009/January 2010 IssuesThe voice of Fast Company across all platforms is consistently insightful, inventive and inspiring, and online tools like the video series "30-Second MBA" deliver experiences that print cannot.
GlamourCynthia Leive, Editor-in-ChiefGlamour.com: Ben Berentson, Online Managing Director; Anne Sachs, Online Editorial DirectorFor April; September; November IssuesSmart, ambitious and engaging in print, Glamour has used its online presence to further deepen its legendary relationship with its legion of loyal readers.
Men’s HealthDavid Zinczenko, Editor-in-ChiefMensHealth.com: William G. Phillips, Executive EditorFor September, October, December IssuesMen's Health has one ambition both in print and online—to improve the lives of its readers. A suite of rich and useful mobile apps carry the Men's Health sensibility into gyms, stores and restaurants.
New YorkAdam Moss, Editor-in-ChiefNYMag.com: Kelly Maloni, Executive Editor; Ben Williams, Editorial DirectorFor April 20, October 5, October 26 IssuesFew magazines have integrated their print and web iterations as successfully as New York. Its editors bring their passion for the city alive not only week after week but hour by hour.
