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Mark Whitaker, Newsweek
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ASME
Annual Review
Mark Whitaker, Editor,
Newsweek
ASME Chair
At this year’s ASME annual review,
Mark Whitaker addressed three areas in which ASME will focus
on in the upcoming year. Whitaker said ASME wants to improve
communications with the members, and this has already started
with the first membership survey in decades.
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| “This gave us
valuable feedback and welcome ideas, particularly about how
to better share the benefits of our activities with members
who live outside New York,” said Whitaker.
Whitaker also said ASME aims to promote
diversity. This involves reaching out aggressively to journalism
schools and minority journalism organizations, and brainstorming
different ways to improve the sense of community to people
of different backgrounds.
Another ASME goal in the upcoming year
is to improve ASME guidelines. “They clearly need to
be updated to take in to account today’s changing world
of advertising,” he noted. Whitaker also reminded his
audience that the credibility of magazines is still very important
to their readers and that it is critical for editors to edit
for their readers and not for a commercial gain.
Whitaker began his speech reporting
that ASME was in good shape, thanks to his predecessor, Susan
Ungaro, and the Board members. |
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J. Walker Smith,
Yankelovich Partners, Inc.
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Understanding
Tomorrow’s Consumers…Today
J. Walker Smith, President,
Yankelovich Partners, Inc.
In his presentation about the new consumer
environment, Yankelovich’s J. Walker Smith spoke about the
“mainstreaming of affluence” – a world in which
formerly “high-end” items such sushi and plastic surgery
have become commonplace.
He also provided insight on the growing importance
and vitality of multicultural markets, citing Tiger Woods’s
“Cablinasian” (a conflation of Caucasian, Black, American
Indian and Asian) in reference to the fact that he’s not just
an African-American. The future of America looks like Tiger Woods,
and to reach the multicultural consumer, Smith said, it is imperative
that marketers target attitudes, not traditional demographics.
The “new consumers” are also
self-inventive, more sophisticated, better empowered, less forgiving,
less trusting and more demanding. They are using technology to interact
in different ways and demand more from the marketplace. “In
the future,” stated Smith, “we may actually have to
pay consumers to watch our advertisements.”
There has also been a profound shift from
“cocooning” to “bee hiving.” In a cocooning
environment, the consumer wants to retreat from the world, disconnecting
oneself from society. However, consumers are increasingly moving
towards “hiving,” which, like a bee hive, represents
engagement with the outside environment. Hives have larger, open
gathering areas that lead to exposure and interaction with a diverse
community.
Understanding the attitudes and values of
increasingly diverse markets provides new opportunities for strengthening
consumer relationships and improving advertising messages.
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Russell Simmons, Rush Communications, and Roy Johnson,
Sports Illustrated
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Staying
in Tune with New Targets
Russell Simmons, Chairman
& CEO, Rush Communications; Roy Johnson, Assistant
Managing Editor, Sports Illustrated
Russell Simmons, founder of Hip Hop music
label Def Jam Recordings, and founder of male sportswear brand Phat
Farm, spoke with Roy Johnson about understanding the values of the
emerging urban market.
The Hip Hop generation, at the core, was
born from a world of struggle and poverty. According to Simmons,
rap music is poetry, and it depicts where artists come from, what
they have been through, what they do, what they wear and what they
like.
“What makes them special is that they have such a great appreciation
for the American dream,’ said Simmons. And this appreciation
has led Hip Hop to become today’s most influential brand builder,
with rap music defining the culture.
Simmons pointed out that 80% of people who
listen to Hip Hop are not African American, but this audience has
been largely under-marketed throughout the years. He alluded to
staffing issues as part of the cause. He stressed the need to hire
young and diverse talent that can provide valuable input on connecting
with these Hip Hop consumers.
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The
Power of the Cover
Cullen Murphy, Managing Editor, Atlantic Monthly
Cullen Murphy shared three lessons about
magazine covers that he has learned. First, the cover story is the
engine. It is one of the most important parts of the magazine. Second,
there is no substitute for clarification. Information must be concise,
accurate and educational. Third, said Murphy, “To some readers,
sometimes, Donald Rumsfeld can be as interesting as Britney Spears.”
Murphy gave a detailed presentation on the
history of his magazines covers and how they have changed since
the magazine’s inception in 1857.
In the beginning the covers on Atlantic
Monthly were dominant easy messages with simple bold graphics.
“After a few decades we decided to
use covers to show the readers what’s inside of the magazine,”
Murphy said.
Newsstand sales have doubled since 2000 and
have kept climbing since then. The magazine is now selling approximately
60,000-80,000 copies per issue.
According to Murphy, his readers are educated
and involved. The cover doesn’t really need to grab the attention
of readers, like Cosmopolitan or Newsweek, as
much as it needs to contain a decent amount of information that
will draw people to read.

David Zinczenko, Best Life; Suzanne Boyd, Suede;
Ariel Foxman, Cargo; and Evan Smith, Texas
Monthly |
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What
a Difference a Year Makes! New Launches, New Learnings
Moderator
Evan Smith, Editor and EVP, Texas Monthly
Panelists
Suzanne Boyd, Editor-in-Chief, Suede;
Ariel Foxman, Editor-in-Chief, Cargo;
David Zinczenko, Editor-in-Chief, Best Life.
Evan Smith moderated the session which emphasized
that the magazines represented by the panelists started with small
staffs and were launched a few months from inception. Suzanne Boyd
said that she began work in March 2004. Two months later, her creative
director was hired and a month later the fashion director was on
board. The first issue of Suede came out in late summer.
The editors said their publications found
their own niche demographic and filled a void in the market. As
Ariel Foxman, Editor-in-Chief of Cargo, explained, “We
answered new questions and brought new people to the newsstands.”
Another reason for the success of these magazines
is that they were first displayed as newsstand specials at an early
stage in their development.
“The idea here is to put readers first,
to see how a magazine can do without really much promotion,”
said Dave Zinczenko, of Best Life.
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Scott Donaton, Advertising Age; Alec Gerster,
Initiative Worldwide; Jack Kliger, Hachette Filipacchi
Media U.S.; Rebecca McPheters, McPheters & Company;
and Andrew Swinand, Starcom Worldwide
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The
Debate on Magazine Measurement
Moderator
Scott Donaton, Editor, Advertising Age
Panelists
Alec Gerster, CEO, Initiative Worldwide; Jack Kliger,
President & CEO, Hachette Filipacchi Media U.S., Inc.; Rebecca
McPheters, President, McPheters & Company;
Andrew Swinand, SVP/Group Client Leader, Starcom Worldwide
A lively debate over magazine measurement
ensued on Tuesday morning between publishing CEO Jack Kliger, advertising
media executives Alec Gerster and Andrew Swinand, and researcher
Rebecca McPheters. The panel discussion moderated by Ad Age’s
Scott Donaton delved into the pros and cons of rate base metrics
versus audience measurement.
Kliger raised his concerns about the dual
measurement standards inflicted on the magazine medium alone, and
especially about media buyers’ emphasis on audited circulation
data. The latter essentially discounts reader pass-along rates,
which, according to Kliger, comprises roughly 75% of magazine readership.
To this, Gerster countered that magazines
are “handled differently” because the medium is intrinsically
different from others. He stressed the importance of standard metrics,
which, supported by solid distribution practices, provides enough
data to adequately compute audience numbers.
Swinand asserted that publishers are at the
tipping point with the advertising community with their new messaging
about “engagement,” especially in light of consumers’
ability to zap television ads. (Swinand referenced research that
revealed that 70% of TiVo users skip ads.) He also debunked the
long-held advertiser belief that average-price-paid by subscribers
was a good indicator of magazine “wantedness,” stating
Starcom has found that price-paid “had absolutely no correlation
with anything.”
However, Swinand also emphasized the need
for more “real-time” circulation data, as opposed to
the six-month waiting period for publishers’ estimates, and
18- to 24-month audited figures.
McPheters noted that it would be a more valuable use of resources
to document magazines’ positioning relative to other media,
rather than against each other. She also thought that the focus
should shift from copies delivered to impressions per week.
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The
Power of the Cover
Bonnie Fuller, EVP, Chief
Editorial Director, American Media Inc.
Bonnie Fuller said there were several factors
that go into composing a powerful cover.
- Legibility. You want the cover lines to
be clear but not too clever because readers aren’t going
to take the time to figure them out.
- Use eye grabbing devices such as banners,
exclamation points, page numbers to turn to inside, quick statements
and active verbs. Fuller also advised audience members to use
different typefaces to mix it up.
- Titles. Make colors work for you. Bright
colors are more likely going to attract the reader than darker
colors.
- Continuity. While change is good, too
much of it could cost you readers. Old friends need to recognize
the magazine on the newsstand, Fuller said. Staying familiar to
the reader is very important.
“Show me a beautiful and artistic cover
today, and I’ll show you a low seller,” said Fuller,
who said that today cover appeal has shifted from artistic expression
to what will sell. In a time where there are so many different media
choices, covers have only a few seconds to grab the attention of
the buyer.
Non-news celebrity covers don’t tend
to work, Fuller explained, because readers want drama and surprise.
Covers now need to package a celebrity with a compelling news story.
Fuller said that readers want humor. “When
the subject is right, we’ll have fun with it.”
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Jim Kelly, TIME, and President William J. Clinton
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President William J. Clinton
In one of his first appearances since his
heart surgery in September, former President Bill Clinton addressed
several hundred top-level representatives from the magazine industry
at AMC. He was interviewed by Jim Kelly, Managing Editor, TIME,
and also answered questions from the audience.
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Peggy Conlon, Ad Council, and Ann Moore, Time
Inc. |
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Luncheon:
Silver Bell Awards
Every year, the Advertising Council
bestows the Silver Bell Awards to media partners who have
generously shared advertising space to help disseminate Ad
Council’s public service messages. At this year’s
AMC, Peggy Conlon, President & CEO of
the Ad Council, honored Time Inc. for its leadership and commitment
to public service. Chairman & CEO Ann Moore accepted
the award on behalf of Time Inc.
Conlon also spoke of the unprecedented
collaboration between the magazine industry and the Ad Council.
The two groups have produced the first-ever magazine roadblock
in support of the Ad Council’s campaign on disease prevention.
Conlon commended the 100+ magazines who have committed ad
pages to the effort and looks forward to unveiling the results
of the campaign at their Annual Public Service Award Dinner
on November 17. |
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Postmaster General Jack Potter, USPS |
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Postmaster
General Jack Potter
John E. Potter, Postmaster
General & CEO, United States Postal Service
Postmaster General Jack Potter stated that
the magazine industry and the Postal Service face similar challenges
in the form of a changing marketplace, competition from the Internet
and securing one’s place in this digital age.
To meet these challenges, the postal system has established a transformation
plan to modernize the Postal Service and to better enable it to
respond to the uncertainties of the future. As part of this, the
Postal Service is committed to establishing a period of rate stability,
magnifying customer satisfaction and keeping the workforce stable
while increasing the number of deliveries.
Potter asked industry leaders to remain close
to postal management in the upcoming months so "we can continue
to explore ways to keep your costs and our costs as low as possible."
He also urged that the active partnership
between the magazine industry and the Postal Service continue, to
get magazines to readers “on time, and at affordable rates.”
He added that through magazines delivered in the mail, “the
American public depends on both of us to keep them connected with
ideas, entertainment and information that directly relate to their
lives.”
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Stephen Lacy, Meredith Corporation; Steven Murphy, Rodale
Inc.; Stephen Shepard, BusinessWeek; Ann Moore,
Time Inc.; and Tom Ryder, The Reader’s Digest
Association, Inc. |
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Great
Minds Think Alike…or Do They?
The AMC Executive Panel
This year’s magazine executive panel,
an AMC tradition, featured a prestigious lineup: Steve Lacy
of Meredith, Ann Moore of Time Inc., Steve
Murphy of Rodale, and Tom Ryder of Reader’s
Digest Association. In a lively discussion moderated by BusinessWeek’s
Steve Shepard, the industry heavy hitters tackled
some of the most critical issues facing the publishing business
today, including the Internet, advertising and circulation challenges
and editorial integrity.
Some highlights from the discussion:
Tom Ryder, on magazines reclaiming advertising
share: “Television is way more vulnerable than I’ve
ever seen it. …And all that experimentation that’s going
on right now – people throwing advertising money at the Internet
– that will settle itself out. Eternal verities will become
verities again, and we are one of those. I think we can help that
process along.”
Steve Murphy, on magazine content online:
“The buy will be, and needs to be, a multiplatform buy, with
print married to online. It’s part of our job to have…‘real’
edit in both mediums. Not a magazine parading online as a page,
but real online edit [with] brand consistency.”
Steve Lacy, on raising magazine prices: “If
you have a very, very strong editorial product that solves a problem
for the consumer, they’re willing to pay.” Steve Lacy
Ann Moore, on allowing product placements:
“No, we’re not going to cross the line, and shame on
us if we can’t go back to the client…with a creative
marketing idea to solve his problem.”
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